“Kaun Mohan Deshpande” – Satirical Reflection on Justice System
2 min read
Shimla, Sept 04 Ritanjali Hastir
“KAUN MOHAN DESHPANDE,” directed by Aman Singh and performed by Ek Agaaz Kala Manch Chandigarh, opened the Theatre Festival at Gaiety Theatre. The play, staged as part of the Language & Culture Department and Sangeet Natak Academy’s initiative, ran from September 4 to 7 and presented a sharp satire on the legal system.
The narrative centers around the struggles of the common man, specifically highlighting the plight of residents in a dilapidated chawl. The owner’s neglect and greed to replace the chawl with commercial apartments form the backdrop against which the story unfolds. The play boldly critiques the legal system, showcasing how justice is often delayed, or worse, denied, leaving the law-abiding citizen to suffer both socially and economically. The social commentary is further emphasized by how the chawl’s residents, instead of being supported by society, are treated as culprits.
The strength of the play lies in its ability to balance heavy themes with humor. The satirical take on everyday situations resonates with the audience, making the critique both accessible and impactful. The use of cinematic elements, such as time-lapse sequences where Mohan is seen cycling, adds a layer of creativity to the production, keeping the audience engaged and preventing the narrative from becoming monotonous.
However, the execution had its flaws. The set changes were not smooth, and the timing of prop movements often missed the mark, disrupting the flow of the performance. The fade-outs, crucial for maintaining the rhythm of the play, were poorly timed, resulting in moments that appeared sloppy. Despite these technical shortcomings, the play succeeded in its primary objective—to hold a mirror to society and provoke thought about the harsh realities of seeking justice.
Overall, “KAUN MOHAN DESHPANDE” is a commendable attempt at social critique, combining humor and satire to deliver a powerful message. While the execution could have been tighter, the play’s core message and the actors’ performances carried it through, leaving the audience with much to contemplate.
